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A Tale of Two Objectives

5/8/2016

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If there is one thing I have learned in this year of teaching kindergarten writers, it is how asynchronous the abilities of 5 year old authors can be. On one hand, children in their first year of formal schooling are brimming with voice and very willing to take risks, leaping off the writing cliff as soon as I say, "Go!" There has not been one day of writing when these students were not one hundred percent "in". They have been like little sponges, soaking up our instruction and putting thoughts and ideas and pictures on paper like nobody's business.

But...they are 5 year olds. And their handwriting and spelling reflect their developmental levels. Don't get me wrong. Many of our kindergartners are using proper capitalization and punctuation, as well as spelling high frequency words correctly in their drafts. But, then there are those that still struggle to form letters correctly. Those that forget to capitalize the first letter of the sentence or add punctuation to the end. Those whose thoughts are still getting a little knotted up on the trip between their brains and their hands.

When is it appropriate to expect student writers to be responsible for editing their work?

As I look over the writers' nonfiction books about rhinos, I wonder what to do about those many pages that need capital letters, periods, spelling corrections, neater handwriting...

Do I instead concentrate on the content objective? After all, these writers have done research using internet websites and books. They have used graphic organizers to keep their notes together. They have written a three page book about their topic. They have illustrated their pages. They have read and reread their books to the teachers and to each other.

And they have worked for about two weeks on these books. 

At a higher grade level, I would have considered these first efforts "drafts".  And I would have expected students to go back and revise and edit their work for their final copies. But, can I expect a kindergartner to go back in and fix every misspelled word? Erase and rewrite every misshaped letter? Figure out where one sentence ends and the next begins?

Ideally, I think I would move even a little slower with this work the next time I teach it. Perhaps additional modeling of writing the sentences, and maybe providing a bank of words that accompany the topic in general would provide needed support for the less developed writers.

We are going to try this unit again. Next week, in fact. We are going to let the students choose another animal, and we are going to go through the process once more. While I think we may give them more choice in the research and scope of subtopics in the next nonfiction "All-About" book, I will definitely teach more toward how the writers are putting their work on the pages. 

And, so, if our objective was to do research and learn about a topic, and then write an "All-About" book to teach readers all we know about that topic, I think the kindergartners achieved that objective.
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If our objective was to work toward consistent control of capitalization, punctuation, and spelling, I think we still have work to do. And that's okay. As we all know so well, both the composition work and the technical work of writing are built upon layers of learning that are individual to each unique writer. What each writer in our class did learn from this unit was what nonfiction writing can be, how to do research about a topic, some text features that help readers find information in books, and all about the body, food, and habitat of the rhinoceros.

Good stuff!! And next week we will tap again into their enthusiasm and listen for their voices and support them in their usage and mechanics when we start the next "All-About" book. I can hardly wait.

​Have a great writing week.

#allkidscanwrite
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Active Teaching

5/1/2016

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When my daughter was only a few weeks old, I took her to the doctor for a well baby check up. I had a question for the doctor. To me, the question was important and I expected a long and thoughtful answer from the pediatrician. But, instead, he gave me a cursory, almost abrupt response that was more dismissive than helpful. I suppose he had heard this same question many times before. Being a young mother, I did not know how to react. But, you can see that even twenty-seven years later, I wish that he had considered my question in the moment. I may have been that doctor's 1,000th new mom, but this was my very first baby.

Teaching is like that, too. Every child who  sits in our classrooms is there for only one year. It does not matter to the students in our class this year that we have already taught the same unit five, or ten, or fifteen times before. This is the one and only opportunity we have to make a difference in their writing lives. We need to make it feel like the first time we are teaching each and every lesson. And, if we do that, we will find our lessons constantly evolving into more thoughtful and responsive instruction. I am going to call this "Active Teaching" because it calls on us to be active - thinking, reflecting, listening, changing, reacting!

I had a reminder of the importance of active teaching this week. I am teaching the Graphic Narrative unit of study for the third and fourth times in our last two first grade classrooms. As I am moving through the lessons, I can feel myself already tempted to move too quickly. From my perspective, I feel more practiced in the instruction and want to go more quickly. That seems natural.

But, I can't forget that this is not the third and fourth time these students are writing graphic narratives. It is the first time, and they deserve the same thoughtful, measured instruction as the first group of students I taught.

And so, as I was showing the students how to build the context for their first story panels, I realized that many of the writers were having trouble deciding what verbs and adjectives were the beginning of their stories. Which were the middle? This part of the composition process was proving difficult for them.

And then it occurred to me. I was doing less modeling with these two classes than in the first two. After all, I already had my model to display my work. Couldn't I just show them the end result?

In a word. No. That is not active teaching.

So, I have done some thinking and have come up with two ideas. First, I am going to begin a new graphic narrative of my own and work through it right along with the students in these two classes. Just as I did with the first classes.

Second, I recreated the drafting pages for the story panels. Last month we had a professional cartoonist visit our writers, and he talked about "thumbnails", quick sketches artists make to capture an idea in a general way. So, I made a thumbnail template that is more student friendly for our graphic narrative writers. Now, each writer knows to list one verb and one adjective under each story panel. They will compose text for a speech bubble for each panel as well, one at a time. And they will continue that work across the six thumbnails. In this way, they will build their narratives and sketch their graphic storytelling panels in the same order of their word lists. 

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Across the board, my current students are finding this new format an easier method of composition. I am hopeful that the thumbnail template along with my own in-the-moment modeling will help these writers create successful graphic narratives.

Whether doctoring or teaching, staying in the moment with those whose work or lives you are influencing is critical. Active teaching ensures that we approach each lesson with the same energy, attention, and reflection as if it were our first time teaching it. Our students deserve no less.

Have a great writing week!

​#allkidscanwrite
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