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If I Can Do It...You Can Do It!

12/31/2017

 
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Happy New Year! May the coming year bring you good health, plentiful warmth (brrrr), and a bounty of happiness.

As we walk through our classroom doors on January 2nd, let's reflect on how our writing instruction is going so far this school year. Teaching writing  is a lot of work, a complex and layered labor. To really allow our teaching and our students' learning to develop into deep thinking through recursive process, we must instruct across days and weeks. If we decide to consider and commit to this work as a labor of love, we will be giving ourselves and our students the most positive mindset with which to teach and learn. 

​If you are like me, you will be searching your teacher's soul, asking,  "How can I infuse my writing instruction with positivity in such a way that my students catch the 'I can do this!' spirit and set out on writing journeys already believing that they have stories to tell and voices with which to tell them?" 

I previously shared my thinking about a positive approach to teaching writing and the immense difference it can make in how your students imagine themselves as writers in a blogpost on 12/10/17. For the next few weeks, I want to elaborate on each of the points that I made then, and give you ideas on how to drive your practice in a positive direction.

Today we will begin with you.

     "When your think-alouds expose the struggles and challenges of writing, but you maintain excitement in your voice as you model your own writing process, students will notice and absorb the "I Can Do This" belief that you demonstrate."


When I used the word "absorb" in the statement from my earlier post, I did not choose randomly. Our students are like sponges, soaking up not only the information we present, but also taking in the way we teach it. Our teaching stances are the filters through which students internalize our instruction. We want our own positive attitudes to seep into their understandings of new learning.  

How do we keep it positive when sometimes it just seems so dauntingly difficult?   Let's begin with your teacher think-alouds. This is, arguably, the part of writing instruction that teachers struggle with the most. But, this is also where you have your students' full attention. Where you can orchestrate a communal writing experience with your students watching as you muscle through the writing process.

Make it as easy on yourself as possible! 

1.  Backwards plan. Once you have identified the scope and sequence of the lessons you want to teach in a unit, you will know what writing craft moves, strategies, or skills you will need to model in each lesson. 
2.   Be prepared. Draft an example of the kind of writing your students will be doing based on your backwards planning. As you write, remember to leave opportunities for revision throughout the unit based on the lessons you are going to teach.
3.  Share the load. If you are fortunate enough to work with a team that plans units of study together, you can all share a common teacher story. I once modeled a lesson using the same personal narrative story for teachers in  five different fifth grade classrooms. The students in each room heard the story as my own and never blinked an eye! Any team can do it!
4.  Keep your writing on the same level as your students'. Your ideas, organization, word choice, mechanics, etc. should be accessible to your writers. This makes your writing a much easier undertaking. Don't make it harder on yourself than necessary!
5.  Believe. As you post your words for the class, whether written ahead of time or scribed in front of your students, believe that what you are doing is powerful. You are building students' capacity to be purposeful writers as they watch and hear you think through the decisions you make as a writer.  A kind of "If she can do it, I can do it!" mentality. Say it outright to your students!  Make it your battle cry..."If I can do it, you can do it!" You will be amazed by the sheer power of leading by example as you see your students begin to believe right along with you.

Next time I will share ideas about a second point made in the 12/10/17 blogpost.

     "When your differentiated instruction continually makes a bee-line for what's great in their writing, students will be encouraged to keep working, to keep reaching for precise language, organized structures, fully developed ideas, etc."

In the meantime, as we all try to stay warm this week, let's welcome our students back with a renewed commitment to modeling our thinking as we make decisions in our own writing. And let's do so with a positive attitude that will inspire our writers to believe in themselves as they see us write courageously in front of them. We are all in this together.

Have a great writing week!
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#allkidscanwrite



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Teaching By Example...

12/10/2017

 
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"Teachers who love teaching, teach children to love learning."         - Author unknown.

We all know this to be true. And I'm going to be even more specific - Teachers who love teaching writing, teach children to love writing. The enthusiasm that a writing teacher brings to her instruction infuses the students' learning with equal parts of zeal and initiative. I was recently reminded of how important a writing teacher's attitude about what she's teaching is to the reception of the learning by her students. 

Two Approaches to Writing Instruction

A Positive, Committed Approach to Instruction grows students who will work their hardest to meet your expectations.
  • When your differentiated instruction continually makes a bee-line for what's great in their writing, students will be encouraged to keep working, to keep reaching for precise language, organized structures, fully developed ideas, etc.
  • When your Think-Alouds expose the struggles and challenges of writing, but you maintain excitement in your voice as you model your own writing process, students will notice and absorb the "I Can Do This" belief that you demonstrate.
  • When your instruction lifts the level of all of the writing in the room, no matter the starting point, students will benefit from the teaching that nudges them forward, and the work they do will show progress and growth.
  • When you celebrate all writers at every level you help build self-confidence, and you absolutely add joy to the whole writing process!

A Less-Than-Enthusiastic Approach to Instruction grows students who don't feel the energy of the teaching and, thus, may lack energy for their own writing work.
  • When students don't see teachers push through the hard thinking parts of composition, they often want to give up too quickly when faced with their own writing blocks.
  • When the teacher doesn't model the importance of stamina or value the idea that writers need lots and lots of time with one piece of writing, students miss golden opportunities to discover deeper thinking and mine richer ideas.
  • When teachers teach writing in isolation, not connected to the reader for whom the message is intended, students cannot learn to think purposefully, to make thoughtful decisions that help an authentic audience hear their voices and understand their stories.
  • When teachers don't embed the thinking habits of mind in their writing instruction, students aren't able to internalize those habits in ways that are transferrable to future writing experiences.

I have seen both types of instructional approaches in writing classrooms. My work centers around supporting a positive instructional approach and bringing every tool in my coaching toolbox to help teachers embrace and adopt that approach. My hope is that -
  • More and more teachers will be provided with the time and professional resources they need to implement a positive, committed approach to writing instruction.
  • They will be surrounded by teachers (and coaches and administrators) who are passionate about writing and share that passion with students in ways that don't just seep into their teaching but open the flood gates of positive, joyous instruction.
  • Their student writers will feel that joy and make it their own. 

Have a great writing week!

#allkidscanwrite




Putting My Money Where My Mouth Is...

10/15/2017

 
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Putting my money where my mouth is....I have used this phrase many times over the past week. At no time was it more appropriate than yesterday when I walked into a writers' conference and acted like I belonged there!

Let me back track...

As a literacy coach, I have the pleasure of working with scores of teachers, often as a support person to help them navigate the interwoven processes of professional learning and subsequent  planning, implementing, and reflecting on instructional  practices. To be that support person is a responsibility that weighs heavily on me. When folks are looking at you as the "expert", you'd better know your business!

But, sometimes, I don't have all of the answers. I have now been out of the classroom for 5 years. Often, I am asking teachers to reconsider their instruction to include the best practices that research has to offer whenI have not personally used the practices myself.

In those situations, I have to 1) Create a sense of confidence for myself regarding the validity of the instructional advice I'm giving, and 2) Force myself to go find a classroom and get in there to try whatever practices I am suggesting to teachers. 

Putting my money where my mouth is!

Last week, I was in a building doing professional development on Word Study. Long, long story short, I have found myself wondering if one of the reasons we are not seeing the developmental progress in students' word knowledge that Word Study research promises is that we have misplaced a key component - deep and active exploration and use of critical thinking skills as students interact with the patterns, sounds, and meanings of words each week. 

Many, many classroom teachers find the time for Word Study (and, woe is me, writing!) instruction shrinking. As a result, the introduction of word sorts each week oftentimes is a quick "go-over", where the teacher sets out the headers, models the sorting of a word for each category, gives the students time to sort the rest of the words according to the features just explained by the teacher. And that's it. Oh, and she has about 3-5 minutes per group  to get all of that done before the next scheduled subject must begin. She does the best job possible in the amount of time she has available.

There is simply not enough time.

So, I have been talking to teachers about ways to maximize the 30-minute Word Study/Writing block on Mondays to devote 10 conversation-rich minutes per small group (3 total groups, max!) to give students enough time to dig into the features. My thinking is that if we put the new words in front of students without headers and facilitate their exploration with probing questions (open-ended, comparing/contrasting, searching, analytical) long enough for them to use their own critical-thinking skills that they will begin to internalize the learning and stop simply memorizing for assessments. 

This is how Word Study is supposed to work. I am simply trying to re-focus our attention on the critical importance of active student participation in the discovery and categorizing of words - which requires time.

So, I created a card with the probing questions listed by thinking categories (searching, comparing/contrasting, analyzing) and gave it to the teachers. (See below) I asked them to consider trying this with their small group introductions on Mondays. And I asked them for feedback.

And then I realized it was time to "put my money where my mouth was". I couldn't ask teachers to implement an instructional practice  without having some professional experience with it myself! I will be heading out to a school this week to do just that! We will all jump into this practice together, even though we may not be 100% confident. Even if we don't have all of the answers. For the sake of our students, sometimes we must force ourselves out on that limb that feels a little shaky. We have to step out of our comfort zone or our "we've always done it this way" safe spot, and try something different that may give our students a better outcome.

Personally, I crept out on that branch yesterday when I went to that writers' conference and met with two agents to talk about some writing projects that are the heart of who I am as a teacher and a writer. I had to pretend to be confident, because I felt like an imposter. I had to put my work into the hands of professionals and be prepared for their critiques. It was gut-wrenching. (Not their critiques, thank goodness!) 

And it was the most rewarding thing I have done for myself professionally in a long, long time. 

I "put my money where my mouth was". I acted on my words. I tried to "show, not tell". 

We all need to remember that life-long learning involves risk and that sometimes you just have to go for it. We ask our students to do this all the time. I think it's a great thing to "put your money where your mouth is" every once in a while. It's how you earn credibility. 

It's also how you grow.

#allkidscanwrite 


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Here Comes the New Year!

12/11/2016

 
"It's the most wonderful time of the year!" We all know this song and these words and they could not be truer! As educators, we have been working at full speed for the last five months, and the thought of reaching this almost-mid-school-year break gives us the ability to finally take a deep breath.

As I look back over my first months as a literacy coach, I can still feel the breath catch in my throat.  There has not been a week, and hardly a day, that I have not been in a new situation with a steep learning curve. Managing that steep climb day after day and week after week has kept me on my toes, leaning forward, my mind in high gear.

And I am ready for a rest, too.

In fact, I have already made my New Year's resolutions. You see, I can only rest but a minute or two...And therein lies my promise to myself.

What I have learned about coaching these past months parallels what I know to be true about myself. To be an effective coach, you must be able to:

1.  Listen.  

Listening is the most important part of a coach's job. You must listen for the story behind the situation. No one arrives in a classroom or an administrator's office without having been on a journey. And whatever is happening that brings a coach to that classroom or office is the result of people's experiences while walking those journeys. As a coach, it is imperative to listen for and hear the story, because within the words and between the lines, the story reveals the heart of the person. And no situation can be resolved without engaging the hearts of the people involoved.

2.  Be patient.

The first layer of coaching requires building a trusting relationship. And that does not happen quickly.  I had a rose-colored vision of coaching when I first began. I imagined that when I walked into a building, all stakeholders would see me the way I saw myself - a person who believes in possibilities, a resource for building great classroom practices, a positive collaborator who supports in any and all ways to grow successful teachers and students. Um, no. Before stakeholders will see me the way I see myself, I will have to work hard to establish enough trust for them to even know who I am! And when you are only in a school one day a week at the most, it takes miles and miles of baby steps to establish that trust.

3.  Let go.

This is the most difficult part of coaching for me. A coach is not a "fixer". A coach is not someone who does the work of the teacher so that it is "right". Nope. The coach is there to work side-by-side with a teacher to help him or her build their practice in ways that they envision. Unless the momentum is built upon something that truly matters to the teacher, the results will not be sustainable. Of course, the coach is knoweldgeable and is an instructional  resource for the teacher. But, the work of the team is best undertaken and ultimately more successful when it has grown organically from a teacher's reflection on his or her strengths, weakness, and needs.

Which leads me to my New Year's resolution:  Listen. Be patient. Let go.

I need to listen to my own story. Sometimes we get so caught up in what is happening in our worlds that we forget to really listen to our stories. We stop writing the words. We just keep rereading the same lines over and over again. Even when they might no longer be the right ones. Learning how to hear my story again, and to make intentional decisions and purposeful choices is my first resolution.

Patience has never been my strong suit. By necessity, as a parent and as a teacher, I developed a working ability to be patient. But it is not a natural trait. I am very goal oriented and prefer instant gratification.  As I reflect on the value of being patient in my work while I endeavor to build trust in colleagues who don't know me, I know that I also need to be patient with myself and give myself permission to take time to live my life with full awareness and enjoyment. 

Finally, I resolve to let go. I am going to let go of anything that does not lift me up. Our time is too short to be weighed down by negativity. As I coach teachers to look for what is great about their practices, so am I going to coach myself to focus on what is beautiful about my life and let go of all the rest! There is always lots to celebrate and believe in. I am going to release the criticisms or worries or self-doubts that weigh me down and grasp hold of the dreams and relationships and blessings of my life with all my heart.

Here comes the new year! Resolve to be a positive influence on your own story and the stories of those around you. Listen to and write your own words. Be patient with yourself. And let go of anything that does not lift you up and carry you forward!

Happy writing!

Sitting on the fence, reflecting.

4/16/2016

 
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"We do not learn by experience...we learn by reflecting on experience." John Dewey.

This week I am doing a lot of reflecting.

I began teaching the second cycle of  my Graphic Narrative Unit of Study in first grade last week. Due to it being the end of the grading period, there were many interruptions to the schedule and we only got through the Immersion Session and Lesson 1 - Introducing the Mentor Text. And that's just fine. Because I really needed to take a moment to reflect.

Today, as I sit here at my desk and look over the scope and sequence of the lessons in the unit, I am reflecting on what worked well, and what didn't work well during the first cycle of teaching this type of writing. And there was some of both! When you write a unit of study, the same process framework applies - brainstorm, pre-write, draft, revise, edit, publish. 

​And one more...

Reflect.

I know some additional teaching that must be added. For example, while the student writers understood what a speech bubble is, and even how the text within it is used to move the story along in a graphic piece, they did not understand how to write one! I did not expect the directionality of text in a speech bubble to be problematic for the students. But it was...in a huge way! There were speech bubbles with words written backwards, upside down, without spaces between them. You name it! So, I will be adding a lesson on how to write a speech bubble to our unit of study.

I also wonder if I need to add more lessons focused on the "art" of the graphic narratives. Should I add instruction that might help the students show movement better, draw clearer faces, fill more of the spaces of their panels???

And here is the fence upon which I sit, led to this indecisive position by my reflections.

How much art instruction is needed to help a first grade writer convey a complete narrative across six illustrated story panels? And, at what point does the teacher make a judgement as to the efficacy of the artwork in the storytelling process?

Let me show you.

Below are some pictures I took of the first graders' graphic narrative "strips" while I had them all at my home to work on over spring break. If you take a step back, and just look at the variety, the depth, and the individuality of these narrative pieces, you will probably feel the same stunned amazement that I did.

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They are simply magical! Across the six panels, you get a sense of the writer's style. Some of their pictures are beautiful. Some are hilarious. Some show great happiness. Others express relief, worry, fear, silliness, remorse.

But, at the end of the day (and the unit), the goal was for the writers to tell a story of change. And some of them struggled to accomplish that goal with control and consistency in a story told mostly through pictures.

Back to the fence upon which I am sitting. 

What level of proficiency am I expecting from six and seven year olds to be able to artistically convey change through their first grade illustrations? Our process was for each writer to take his or her six panels, lay them out upon the floor and ask a peer to "read" their stories before turning them in to the teacher. I wanted the writers to understand without a doubt that unless a reader could make sense of their graphic narratives, as drawn and written across the panels, then the work was not finished.

Not surprisingly, as writers brought their pieces to me, and as I struggled sometimes to follow the stories, they assured me that their peers had "no problems" reading them. Hmmmm.....

But, quite honestly, I eventually could read most of the stories, with verbal support from the authors! They were written and drawn thoughtfully, and revised, sometimes a lot, before they became what you see in the pictures above. And there were many very successful pieces, as well as some that were less successful. I have to remember that that's the way it is with any writing assignment.

And then, there's this writer...

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Do you see him there? With nine panels instead of six. With speech bubbles flying off his pages. Repetitive. Hard to read. Illustrations that were sometimes difficult to decipher.

But, his story line was clear. And his art was his own. He was SO PROUD of this piece.

Shouldn't that be good enough for first grade writing?

And, of course, the answer is YES! YES! YES! YES! That writer was as proud of his work as any writer I have taught. He drew and drew and revised and revised. Always with a smile. Always thoughtful about the decisions he was making. He saw no problem at all in the development of his piece.

I think I'm going to hop off of the fence now. My job, the one I love, is to coach these youngsters into the writers they have the potential to be. In this unit, I used art as a medium, but on a level at which they felt successful. The true and pure goal of this unit was to tell a story of how one changed the world through positive actions. Each of the writers of the graphic narrative strips above did that, in their first grade voices and with their first grade skills.

Moving forward with the unit in the next two classes, I am going to add a lesson on speech bubbles. And that's it. I will use the experience of the earlier teaching to coach myself as a writing teacher: You are teaching the writer, not the writing.

I hope these first grade writers never forget the time they made a graphic narrative using lots of pictures and a few words. I hope they always remember the time they made decisions and worked for two weeks and made a story about how they changed the world through their very own positive actions. I hope this unit of study builds their sense of being writers in the world.

​Have a great writing week!

#allkidscanwrite

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Climbing A Big Hill...

11/17/2015

 
I am going to climb a big hill.

I am going to write a Unit of Study for first grade that I have not seen written elsewhere. 


I am excited and nervous at the same time. Almost as if I am racing against...something. I feel a push. I feel a strong desire to create. I don't even know if this is a good idea. 

But the hill is there. And I am going to climb it.

I have my stack of mentor texts. I have my Katie Wood Ray and Lucy Calkins and all of the great minds of elementary writing instruction that have shared their genius, their experiences, their work with me. They have taught me through their own writing.

It is art. I know it is. What I am trying to make is art. With children who have only in the last year or so learned how to form letters. Make words. Put sentences together. (Some are still learning).

I am ready. It is like I laid my idea down on the ground and, layer by layer, the earth and the sun and the wind grew it. And now it is a big hill.

I have to climb it.
 

I'm ready to climb it.

Want to come with me?

A Call for Writing Stars

3/4/2015

 
     In two weeks and a half weeks I will be talking with pre-service teachers about writing instruction in Virginia classrooms. I have so many thoughts about the current status of writing instruction in Virginia elementary school classrooms; how do I focus my thoughts and use a positive lens to launch their thinking and planning and hoping for next year?

     My biggest challenge as a writing coach is to convince teachers that writing instruction is best centered around the writer and not the writing. This is a darned hard concept for teachers to grasp. Teacher education programs in Virginia, and across the nation, need to dedicate additional coursework hours to writing pedagogy. Because, sadly, now that Virginia no longer tests writing in elementary school via the Standards of Learning end-of-year assessments, what was already limited professional development in writing pedagogy, research, and innovation may now be non-existent in many places.

     Over the next five posts, I will explore what I believe to be the most critical habits of mind that both teachers and students need to embrace in order to be successful writers. These "star points" are at the heart of the writing process. Every teacher can be an inspirational influence on his or her student writers. And every single child deserves a teacher who believes that #allkidscanwrite! 

Christy Weisiger

August 27th, 2015

1/1/2015

 

August 27th, 2015

12/31/2014

 

August 27th, 2015

11/12/2014

 
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    Why write?

    I once heard the story of a writer who caught her own reflection in a window. She realized that once she moved past that window, the moment of her reflection would be lost to her forever.

    And so it is with all of our lives. 

    Writing is catching a life moment in words... keeping it visible to be remembered, to be cherished, to be learned from.

    Preserving it forever. 

    That is why I write.

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